The title refers to the day Julius Caesar was assassinated by a group of senators who feared his role as a dictator would forever destroy their constitutional government. Some of these senators were close friends of his which makes their actions all the more shocking. In the political arena then and now, you’d think those running for office would have their friends and loyal advisors to instill their trust in. But as history shows, the quest of power can tear friendships apart completely and corrupt the seemingly incorruptible. In William Shakespeare’s play of “Julius Caesar,” a soothsayer warns him before he is stabbed to death:
“Beware the Ides of March.”
George Clooney’s latest directorial effort is based on the play “Farragut North” by Beau Willimon, and it looks at how dangerous a political campaign can be for all those involved. They may not get stabbed in the back literally, but there is a lot of that to go around figuratively speaking. It all makes for an intense political thriller that never lets up.
Ryan Gosling stars as Stephen Meyers, a Junior Campaign Manager for Governor Mike Norris (Clooney) who is seeking the Democratic nomination for President of the United States. As the movie opens, Norris is campaigning in Ohio where a win there will all but guarantee him the nomination. Meyers is a strong believer in Norris and what he stands for, but his belief in him and the world of politics is in for a rude awakening. After a secret meeting with the rival campaign manager Tom Duffy (Paul Giamatti), trust becomes a precious commodity that’s in very short supply. Meyers also stumbles on an even bigger situation which could destroy the campaign for good.
This is Clooney’s fourth movie as a director, and the abilities he shows behind the camera are never in doubt. “The Ides of March” doesn’t necessarily break any new ground in the political movie genre, but he does great work in generating tension throughout as characters suddenly finds themselves on a precipice which threatens to fall out beneath them with little warning. He also gets great performances from the entire cast as they face off with each other like they’re playing a game of chess. Everyone is holding their cards close to their chest, and only the eyes can give them away in showing where they are most vulnerable.
Gosling is having a heck of a year in 2011 with this, “Crazy Stupid Love,” and “Drive.” As with the latter, he brings a smoldering intensity to his performance as he takes Meyers from a political idealist to one who sells out his values when things get rough. With one look he can let us inside his thoughts without saying a single word.
Two of my most favorite performances in “The Ides of March” come from two of the best character actors ever: Phillip Seymour Hoffman and Paul Giamatti. Playing campaign managers for their individual candidates, they brilliantly bring out the moral complexities of each person as their agendas become clear throughout the story. Both also make what could have been convoluted actions or maneuvers appear completely believable as they try to get the upper hand in a fragile political environment. They essentially represent the cynical side of politics where idealism vanished a long time ago and the path Meyers may be forced to go down if he wants to continue working in this realm.
The fabulous Evan Rachel Wood is great as always as Molly Stearns, a campaign intern whose confidence collapses when her secret is realized. Seeing her go from a sexy seducer to the campaign’s most vulnerable employee is handled by her like a pro, and she makes us see Molly as a person while others view her as a crippling concern needing to be quickly and quietly removed. The cruelty of politics comes to hit her character the hardest.
And then there’s the equally fabulous Marisa Tomei who portrays New York Times reporter Ida Horowicz. She enjoys a friendly banter with Gosling from the start which draws us in on a more personal level. It’s there where Tomei traps not just Gosling but the audience as well. She provides us with a friendly face that is later revealed to be a manipulative journalist who wields more power than you might expect one to have. I have yet to see Tomei give a bad performance in anything she does.
What I really like about the screenplay of “The Ides of March” is that it’s not about good guys and bad guys. It’s all about shades of gray and how the hope in politics can be easily and quickly worn down to a cinder of what it once was. Some of the actions in the movie almost feel like something out of the “Saw” as they almost seem illogical and impossible to put together, but it makes sense in regards to the world it takes place in. This would make a great double feature with Mike Nichols’ “Primary Colors” as both deal with the moral compromises made in getting your man elected. But while “Primary Colors” sees something of a light at the end of the tunnel, “The Ides of March” doesn’t let the viewer off as easy.
* * * ½ out of * * * *
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