Universal Studios announced the upcoming release Blu-Ray and DVD release of Oliver Stone's latest film "Savages". The DVD and Blu-Ray includes both the theatric and unrated versions of the film.

Special Features on the DVD includes Feature Commentary with Oliver Stone and Feature Commentary with producers Moritz Borman, Eric Kopeloff, Co-Screenwriter/Novelist Don Winslow, Executive Producer/Co-Screenwriter Shane Salerno and Production Designer Tomás Voth.

The Blu-Ray contains all the special features on the DVD plus "Stone Cold Savages" — A five-part profile of the film showcases the entire cast and crew as Oliver Stone pushes his loyal and talented company far past their limits in order to bring this story to life. From concept to completion, viewers get unprecedented access to a master storyteller's creative process and deleted scenes.

"Savages" hits DVD and Blu-Ray on October 23rd.

Press Release:

Acclaimed director Oliver Stone (Born on the Fourth of July, Platoon, Wall Street) plunges deep into the brutally violent world of Mexican drug cartels in the crime thriller Savages, coming to Blu-ray™ Combo Pack, DVD, and On Demand on October 23, 2012, from Universal Studios Home Entertainment. Also available through Digital Download. Based on Don Winslow's audacious 2010 novel, Savages is an intense and graphic drama set against the harsh, swift justice of the illicit drug trade as a pair of peace-loving Southern Californians find themselves locked in an all-out war against a merciless drug lord.

The Combo Pack and DVD include an Unrated Edition of the film not shown in theaters. In addition, the Combo Pack also includes exclusive deleted scenes and a behind-the-scenes featurette with the entire cast that reveals the secrets of the visceral and sexy film that Ty Burr of The Boston Globe calls "a stylish, violent, hallucinatory thriller." The Combo Pack includes a Digital Copy of the film that is compatible with iPhone®, iTunes®, iPad®, iPod®, iPod® touch, Android™ or online retail partners, as well as UltraViolet™.

UltraViolet™ is the revolutionary new way for consumers to collect movies and television shows in the cloud to instantly stream and download to tablets, smartphones, computers, and TVs. Consumers can now truly enjoy their movies anytime, anywhere on the platform of their choice.

Savages features an all-star ensemble cast of international players including Oscar® nominees John Travolta (Pulp Fiction) and Salma Hayek (Frida), Oscar winner Benicio Del Toro (Traffic), and three of Hollywood's hottest rising stars, Taylor Kitsch (Battleship), Blake Lively (The Town) and Aaron Johnson (Kick-Ass). With a killer soundtrack and wall-to-wall action, Savages is an exhilarating and explosive spectacle.

Bonus Features on Blu-ray™and DVD

Feature Commentary with Oliver Stone

Feature Commentary with producers Moritz Borman, Eric Kopeloff, Co-Screenwriter/Novelist Don Winslow, Executive Producer/Co-Screenwriter Shane Salerno and Production Designer Tomás Voth

Bonus Features Exclusive to the Blu-ray™

STONE COLD SAVAGES—A five-part profile of the film showcases the entire cast and crew as Oliver Stone pushes his loyal and talented company far past their limits in order to bring this story to life. From concept to completion, viewers get unprecedented access to a master storyteller's creative process.

DELETED SCENES

UltraViolet™: The revolutionary new way for consumers to collect movies and television shows, store them in the cloud, and instantly stream or download to tablets, smartphones, computers and TVs. Consumers can now truly enjoy their movies anytime, anywhere on the platform of their choice. Currently available in the U.S. only.

Digital Copy: Viewers can redeem a digital version of the full-length movie from their choice of retail partners, to watch on an array of electronics and portable devices including computers, iPad®, iPhone®,
iPod™ touch, Android™ and more!

pocket BLU™ App: The popular free pocket BLU™ app for smartphones is now even better with newly updated versions for iPad®, Android™ tablets, PC and Mac computers, with features made especially to take advantage of the devices' larger screens and high-resolution displays.

Advanced Remote Control: A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.

Video Timeline: Users can easily bring up the video timeline, allowing them to instantly access any point in the film.

Mobile-To-Go: Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go anytime, anywhere.

Browse Titles: Users will have access to a complete list of pocket BLU™ enabled titles available and coming to Blu-ray™. They can view free previews and see what additional content is available to unlock on
their device.

Keyboard: Entering data is fast and easy with your device's intuitive keyboard.

BD-LIVE™: Access the BD-Live™ Center through your Internet-connected player to access the latest trailers, exclusive content and more!

SYNOPSIS

Three-time Oscar®-winning filmmaker Oliver Stone returns to the screen with the ferocious thriller Savages, based on Don Winslow's bestselling crime novel, one of The New York Times' Top 10 Books of 2010. Laguna Beach entrepreneurs Ben (Aaron Johnson) and Chon (Taylor Kitsch) raise and sell some of the best marijuana ever developed, while sharing a one-of-a-kind love with the extraordinary beauty Ophelia (Blake Lively). Their idyllic life is shattered when the Mexican Baja Cartel demands that the trio partner with them. But the cartel's merciless boss, Elena (Salma Hayek), and her brutal enforcer, Lado (Benicio Del Toro), underestimate the unbreakable bonds among these three friends. Ben and Chon—with the reluctant, slippery assistance of a dirty DEA agent (John Travolta)—launch a seemingly unwinnable war against the drug lords that escalates into a savage, high-stakes battle of wills.

“Savages” is being looked at as Oliver Stone’s comeback movie, as if he hasn’t made one worth watching in years. Granted, movies like “World Trade Center,” “Wall Street: Money Never Sleeps” and even “W.” made it look like Stone was being too nice, but none of those movies however showed him to be losing his power as a director. I guess we just miss him generating some kind of controversy to be witnessed on the big screen.

“Savages,” based on the book by Don Winslow, shows Stone getting down and dirty again as the movie deals with a couple of weed producers who, unfortunately for them, capture the attention of a brutal and greedy Mexican cartel. The movie doesn’t reach the exhilarating highs of Stone’s other movies like “Natural Born Killers” or “Scarface” (which he didn’t direct but wrote the screenplay to), but it’s still a compelling film to watch. Whether you think the movie is among his best work or not, Stone doesn’t play it safe with the story or its characters this time around.

Blake Lively stars as O (short for Ophelia) who begins “Savages” by saying that just because she’s narrating the movie doesn’t mean she’ll be alive at the end of it. It’s a clever start as Stone teases us with the possibilities of what is to come, fully ready to take the rug out from under us if the occasion calls for it. It’s nice to see any movie director attempting that today.

O lives with her two boyfriends, former U.S. Navy SEAL Chon (Taylor Kitsch) and University of California at Berkeley graduate Ben (Aaron Johnson), who also happen to grow some of the best pot you can smoke. They live their days in Laguna Beach, California which is so beautifully captured by cinematographer Dan Mindel that it makes me wonder how long it’s been since I’ve gone down there.

Anyway, Chon and Ben get a very cryptic message from the Baja Cartel which comes along with a video featuring beheaded drug dealers which, like these two guys, were independent sellers. Basically, the cartel wants to go into business with them and take a cut of their profits. Chon and Ben however refuse to get involved with any cartel, and they make plans to move out of the country with O for a year or so. But the head of the cartel, Elena Sánchez (Salma Hayek), believes these guys need to show her some respect, so she gets her henchmen to kidnap O to make them comply with her demands. But Chon and Ben are not about to let go of their O without a fight.

The movie’s title, “Savages,” makes you wonder who it refers to among its characters. It’s tempting to think that it refers to the Baja Cartel as they utilize horrific methods to get what they want, but it could really be referring to any of the characters. Stone is examining just how far we can be pushed before we are forced to embrace our animalistic nature, and he gets at that horrifying truth of what violence we are all capable of when we get pushed to our extremes.

“Savages” is far from original as its story will likely remind many of their favorite episodes of “Miami Vice.” With a movie like this, we might expect Stone to be pushing our buttons a little bit harder than he does here. But even though you come out of it feeling that Stone could have gone even farther with the violence, the action is jolting and at times extremely graphic; one guy even finds one of his eyes hanging out of its socket during a moment of torture. Stone also utilizes his many ways of shooting from black and white footage to scenes of psychedelic power as characters find themselves under the influence either by choice or by force.

Now I don’t care what anybody says, Blake Lively is a good actress. Many seem to sneer whenever she’s in a movie, but maybe that’s because she’s on “Gossip Girl;” a show I’ve never watched. Lively has to take her character of O from being a fun seeking woman to one who has to learn to live again, and she is excellent throughout. After her turn as a drug addicted single mother in Ben Affleck’s “The Town,” there should be zero doubt that she can act.

It’s been a tough year thus far for Taylor Kitsch who has seen two big budget blockbusters he starred in, “John Carter” and “Battleship,” bomb at the box office. Then again, those movies probably would have bombed no matter who starred in them. With his role as Chon, he shows a toughness and attitude that is not easily faked, and you can see why so many movie studios were looking to cast him. Many actors yearn to play a ballbuster when given the opportunity, and Kitsch rises to the occasion while giving a terrific performance.

Aaron Johnson, who plays Chon’s more philosophical partner Ben, seems to have grown up a lot between this movie and “Kick Ass.” Once again, Johnson is playing a character who is eager prove himself and yet completely unaware of what that will take. From start to finish, he does an excellent job of transitioning his character from a peaceful man to a bloody defender of what he loves.

But leave it to some acting demigods to give this movie its potent power which nails us right into our seats. Benicio Del Toro is brilliant as the sociopathic henchman Lado. Like the most entertaining sociopaths we see in movies, Lado is at times charming while more often menacing and extremely sick. He thinks nothing of killing people when the opportunity presents itself, and Del Toro looks to be having a blast as he explores the different facets of this character’s twisted personality.

And then there’s Salma Hayek who singes the screen as drug queen Elena Sánchez. All Hayek has to do is give the audience one look, and you know this is a person you do not want to mess with. She also gets a surprisingly complex character to play as Elena’s ascent to being a big time drug dealer had more to do with tragedy than it did with opportunity.

“Savages” also features strong performances from John Travolta as a corrupt DEA agent, Emile Hirsch as the money launderer Spin, and Demián Bichir as one of Elena’s representatives Alex. There isn’t a single weak performance to be found here as everyone looks to be as thrilled as can be to be acting in an Oliver Stone movie.

There has been some controversy over the movie’s ending as it offers up two very different conclusions. The way it’s presented reminded me of when Michael Haneke got one of his characters to grab a remote control to reverse and alter the events in “Funny Games;” both directors are looking to mess with our heads. While the fates of characters are not entirely resolved, it was worth seeing things turn out the way they did as certain characters end up getting very clever about the situations they are in.

Is “Savages” classic Oliver Stone? Not quite, but it is certainly more potent energetic than some of the films he has made in recent years. Give him the right story, and he can still give you a cinematic experience like few others can.

* * * ½ out of * * * *

I haven’t read the Green Lantern comic books put out by DC Comics, so I have no idea of how true the movie is to the source material. Frankly, I don’t care if it is or isn’t because nothing can change the fact that “Green Lantern” is a very dull affair. There’s nothing here to distinguish this particular superhero from so many others like him. He’s just another guy who suddenly gets these amazing powers but is not sure that he is “the one” to save the day. I know a lot of friends who idolize this particular comic book character, but this movie makes him look frustratingly generic at best.

Ryan Reynolds stars as Hal Jordan, a test pilot who somehow becomes a Green Lantern after Abin Sur, mortally wounded, orders his ring to find a worthy successor. Of course, when the ring picks Hal and hurtles him a hundred miles away to where Abin is at, he’s convinced the ring made a mistake. But we all know by the end that he will live up to the Green Lantern standard and live to save the day. This is regardless of him being irresponsible and in taking too many chances as a hotshot pilot. Maverick from “Top Gun” seems to live on in one form or another after 25 years.

The trouble with “Green Lantern” came at the start when the prologue offered us some exposition about who these beings are. I really couldn’t understand or care about any of it, and it also didn’t help that one schmuck ahead of me was still playing around with his cell phone after the movie started. Another guy behind me asked him to turn it off, and it took him another two minutes to do so. Needless to say it was distracting and it took my attention away from what the narration was saying. Then again, I’m not sure I would still understand what was going on.

The other problem is that as a character, Hal Osborn/Green Lantern is not that interesting. Or at least, he’s not interesting as portrayed here. Hal, as I pointed out earlier is a Maverick/Tom Cruise clone from “Top Gun,” and we’ve seen this kind of character a hundred times before. As for Green Lantern, he has the power to make anything he thinks of become real. Now on one hand that’s cool, but it also makes his fights seem like they were over as soon as they started. The movie becomes a big special effects show, and like “Speed Racer” the action scenes lack friction to make them truly exciting.

Regardless of his abilities, Green Lantern pales in comparison to Batman and Superman among others. I don’t care if he can fly, travel through space or make one hell of a fist; he seems weak when you stand him up against Wolverine. There’s not much character depth here, and we can figure out his arc right from the start. Perhaps if I read the comic books I would feel differently about Green Lantern overall.

In terms of the other characters, there are a lot of blown opportunities here. Peter Sarsgaard plays Dr. Hector Hammond who’s an immensely eccentric scientist whose actions are governed by his crush on Carol Ferris (Blake Lively) and the fact that his father (Tim Robbins) is deeply disappointed with him. This could have made for a very compelling villain, but Hammond ends up becoming your typical one-dimensional villain, and he exits the movie way too soon.

In addition, you have Carol Ferris who’s the obligatory love interest who hates how reckless Hal gets, but of course she still has the hots for him. You have Thaal Sinestro whose one of the most lauded Green Lanterns, but he thinks that Hal is unworthy of this special status. Does he gain respect for Hal by the movie’s end? Does a bear shit in the woods?

The acting overall is good, and there’s not too much to complain about. Ryan Reynolds acquits himself well in the iconic role of Hal Osborn/Green Lantern and holds his own throughout. Whether or not he looks more comfortable in a romantic comedy didn’t matter after a bit.

I had to keep pinching myself to remember that Blake Lively, who’s very glamorous here, had also played a serious drug addict in Ben Affleck’s “The Town.” She looks completely different here, and she’s a better actress than I bothered to realize before.

As for Peter Sarsgaard and Mark Strong (“Robin Hood,” “Body Of Lies”), they do the best they can with seriously underwritten parts. The same goes for Tim Robbins and Angela Bassett who somehow ended up in this mess which wastes their talents. Geoffrey Rush and Michael Clarke Duncan fare a little better as they voice some of the more popular Green Lantern killers in the series.

It’s hard to believe that “Green Lantern” was directed by the same man who reinvigorated James Bond with “Casino Royale.” Martin Campbell has proven himself to be adept at helming action movies that are strong on character and never boring. With him behind the camera, I was convinced that “Green Lantern” would really work as a live action movie. The fact that it doesn’t makes it a surprising disappointment.

Aside from a kick ass James Newton Howard score and some great special effects, there’s very little to recommend about “Green Lantern.” Granted, every comic book movie can’t be like “The Dark Knight,” but they should take lessons from it all the same. There are so many movies out there based on comics from Marvel or DC, and filmmakers really need to work harder at differentiating superheroes from one another. Otherwise, it’s just gonna be the same old shit.

* ½ out of * * * *