It's back after being absent for a couple of week. That's right, I'm talking about Trailer Friday.

In this Edition, I have three Independent films that are either in theaters now or coming soon.

This edition of "Trailer Friday"will start off with the latest film from the director of "High Fidelity and "The Queen", Stephen Frears.

"Tamara Drewe": Official Trailer

Trailer courtesy of Sony Pictures Classics

A live-action feature adaptation of Posy Simmonds' acclaimed graphic novel Tamara Drewe.

Gemma Arterton (Quantum of Solace, Clash of the Titans and Prince of Persia The Sands of Time) will play Drewe, a sexy flirt who returns to her small country village and stirs up dark passions among the locals.Simmonds' novel, itself a collection of comic strips she first published in U.K. newspaper the Guardian, is a modern reimagining of Thomas Hardy's classic novel Far From the Madding Crowd.

"Tamara Drewe" is in theaters in limited release now.

The next film is from controversial director Gaspar Noe

"Enter the Void": Official Trailer

Trailer Courtesy of IFC Films.

One of the most anticipated cinematic events of the year, Gaspar Noe's ENTER THE VOID is a visionary thrill ride that's riveted audiences at the Cannes, Toronto, Sundance and SXSW film festivals. At Cannes, Manohla Dargis of The New York Times called it "an exceptional work... the work of an artist who's trying to show us something we haven't seen before".

The long-awaited follow up to his controversial IRREVERSIBLE, ENTER THE VOID is an immersive and mind-bending experience. Nathaniel Brown and Paz de la Huerta star in a visceral journey set against the thumping, neon club scene of Tokyo, which hurls the viewer into an astonishing trip through life, death, and the universally wonderful and horrible moments between.

"Enter the Void" is currently playing in theaters and VOD.

Finally, this film that won the Best Narrative Feature at this year's SXSW.

"Tiny Furniture": Official Trailer

Trailer Courtesy of IFC Films.

Winner of the best narrative feature at the SXSW Film Festival, TINY FURNITURE is a hilarious and endearing film that explores the depths of romantic humiliation and the heights of post-college confusion. Writer/director/star Lena Dunham is being called one of the most exciting new voices in American independent cinema and critics are hailing her film as "irresistibly funny", "unnervingly honest" and "near perfection". TINY FURNITURE also stars Dunham's real-life sister, Grace, and real-life mother, Laurie Simmons, the celebrated artist and photographer.

22-year-old Aura (Dunham) returns home to her artist mother's TriBeCa loft with the following: a useless film theory degree, 357 hits on her Youtube page, a boyfriend who's left her to find himself at Burning Man, a dying hamster, and her tail between her legs. Luckily, her trainwreck childhood best friend never left home, the restaurant down the block is hiring, and ill-advised romantic possibilities lurk around every corner. Surrounded on all sides by what she could become, Aura just wants someone to tell her who she is.

TINY FURNITURE is playing in NYC now & will open in LA and available On Demand November 26th with a nationwide rollout to follow.

It's Retro Trailer time. WIth Thanksgiving around the corner, I recently found a trailer on youtube that fits the holiday feel. It a classic film from 1987 starring Steve Martin and John Candy.

That's right, I'm talking about "Planes, Trains and Automobiles". With Thanksgiving around the corner, here's a film that fits the holiday.

That's it for this edition, I'll be back with another edition next Friday. Until then, enjoy your Thanksgiving everyone.

Gaspar Noe’s “Enter The Void,” his first feature length film since the highly controversial “Irreversible,” is one of the craziest head trip cinematic experiences I have ever sat through. A hallucinogenic kaleidoscope of colors, some of which looked like they were taken from Dario Argento’s “Suspiria,” it’s a surreal out of body experience and the kind you would not see today in American cinema today. In a time of soulless remakes and films that shamelessly manipulate our emotions, “Enter The Void” is a one of kind motion picture that breaks boundaries to create something unlike anything we have seen before. Like Gaspar’s previous films, it is destined to have sharply polarized reactions. Some will admire it if not love it, and others will find it excruciating to sit through. For myself, I was mesmerized from beginning to end, thankful that I got to take in something not bound by your typical Hollywood formulaic screenplay.

Click here to read the full review