“Coriolanus” Review - Written by Anthony T
1:44 PM | coriolanus, Gerard Butler, jessica chastain, ralph fiennes, Reviews, vanessa redgrave with 0 comments »“Coriolanus”
Year: 2012
Director: Ralph Fiennes
Stars: Ralph Fiennes, Gerald Butler, and Vanessa Redgrave
Studio: Anchor Bay Films
MPAA Rating: R
Running Time: 123 Mins.
When there is a new film based on a William Shakespeare play, it always seems to grab my interest and curiosity. Maybe it’s the fact that I always enjoy them. Whether it is Romeo and Juliet (1968), Richard III (1995) or Hamlet (1996), I’ve always been interested in the Shakespeare’s works. This leads to the latest adaptation of Shakespeare’s “Coriolanus”.
The film marks the directorial debut from actor Ralph Fiennes. It takes place in the modern day, where Caius Martius Coriolanus (Fiennes) is a feared and vicious Roman general that finds himself in a lot of trouble. After rebelling against the wishes of his manipulative mother (Vanessa Redgrave) and inciting a riot on the streets of Rome, he is exiled from there. He then, hooks up with his sworn enemy Titus Aufidius (Gerald Butler) to reclaim Rome from him and Aufidius’ people. Brian Cox, Jessica Chastain and James Nesbitt also co-star in the film.
“Coriolanus” is one of those films, where you can’t understand why this didn’t find an audience with theatergoers. This film had an epic feel to it. Most of that had to with Ralph Fiennes’ direction. One of the things that made his direction very good was the way that he handles the action elements. The action scenes had that feel of an epic war film. It has very good firefight sequences and intense action that helps make the pace of the film move at a brisk pace for its two hour running time.
Also, I liked the way that Fiennes directs himself and his cast. The performances were very good. Fiennes does a very good job using his experiences as an actor to get his cast to make their performances to be on the level of a Shakespearian play. There were some very good performances here from Fiennes, Vanessa Redgrave and Gerard Butler that help keep your interest through the Shakespearian dialogue.
John Logan, who also wrote the screenplays for “Gladiator” and “Hugo”, does a very good job with the way that he sets the film’s tone. He does that, by the way that he writes the dialogue. The dialogue felt like it came right out of a Shakespearian play. It helps set the tone that was going to be an epic film. Logan also does a very good job making the main character so engaging. Whether during that battle scenes or the scenes with the protestors, you very interested in the character and how he’s going to react. It’s those scenes that got me interested in the character.
If there was one thing that I didn’t like, we don’t see much of the Coriolanus/Aufidius dynamic. It would have been nice to have seen a couple of more scenes with the two characters just to give sense of the relationship between the two characters. Even without that, this is still a very good film.
This is one of those films that I truly hope will find an audience on DVD and Blu-Ray. With very solid acting and great direction from Ralph Fiennes, “Coriolanus” is one very entertaining film.
Review Rating: Five Stars.
Ralph Fiennes’ Directorial Debut "Coriolanus" Hits DVD and Blu-Ray
9:23 PM | coriolanus, DVD/Blu-Ray News, Gerard Butler, jessica chastain, ralph fiennes, vanessa redgrave with 0 comments »Anchor Bay Entertainment and The Weinstein Company has send over information about their upcoming DVD and Blu-Ray release of "Coriolanus" This film marks the directorial debut from actor Ralph Fiennes and with the screenplay written by three time Academy Award nominee John Logan. The film also boasts an all star cast that includes Fiennes, Gerard Butler, Vanessa Redgrave, Brian Cox, Jessica Chastain, James Nesbitt. Special Features on the Dvd an Blu-Ray include an audio commentary with the film’s director and star, Ralph Fiennes, and a “The Making of Coriolanus” featurette. "Coriolanus" set to stores on May 29th.
For more information on this film, you can visit the film's official website at: www.coriolanusmovie.net
Press Release:
Anchor Bay Entertainment and The Weinstein Company announced today the Blu-ray™ Combo Pack and DVD release of two-time Academy Award® nominee Ralph Fiennes’ (Schindler's List, The English Patient) directorial debut, CORIOLANUS. Fiennes, who also stars in the title role, was nominated for a 2012 BAFTA Award – Britain’s equivalent to an Oscar® – for Outstanding Debut by a British Writer, Director or Producer. Based on the original play by William Shakespeare, the critically-acclaimed film features an award-winning cast that includes Gerard Butler (300, The Ugly Truth), Academy Award® winner Vanessa Redgrave (Julia, Howards End), Academy Award® nominee Jessica Chastain (The Help, Tree of Life), and Emmy® Award winner Brian Cox (Bourne Identity, HBO’s “Deadwood”). A fast-paced, action-packed film, CORIOLANUS heads to retail on May 29, 2012 for an SRP of $34.99 for the Blu-ray™ Combo Pack and $26.98 for the DVD.
In her review for Entertainment Weekly, film critic Lisa Schwarzbaum described Fiennes’ interpretation of CORIOLANUS as “an utterly arresting, creative modern-day adaptation.” David Edelstein, film critic for New York Magazine, wrote CORIOLANUS is “sensational and gripping,” adding “Brian Cox is superb and Jessica Chastain is riveting!” Wrote The Hollywood Reporter’s Ray Bennett, “Ralph Fiennes delivers heavyweight screen acting at its best,” while Rolling Stone’s Peter Travers exclaimed, “Ralph Fiennes, as star and commander, pulls off a triumph!”
The classic legend of honor and betrayal has been astonishingly re-imagined in this exhilarating action thriller that wields a profound relevance for today. Caius Martius ‘Coriolanus’ (star and director Ralph Fiennes) is a feared and revered Roman General, suddenly pitted against his own city and fellow citizens. Rebelling against the power-hungry designs of his manipulative mother (Vanessa Redgrave) and rejected by his own people, Coriolanus incites a riot that expels him from Rome. The banished hero joins forces with his sworn enemy Tullus Aufidius (Gerard Butler) to exact his revenge — and determine his destiny.
The CORIOLANUS Blu-ray™ Combo Pack and DVD special features include an audio commentary with the film’s director and star, Ralph Fiennes, and a “The Making of Coriolanus” featurette. Note: Special features are subject to change.
Learn more about CORIOLANUS at: www.coriolanusmovie.net.
"Coriolanus" movie review by Ben Kenber
8:56 PM | coriolanus, Gerard Butler, jessica chastain, ralph fiennes, Review, Reviews, tragedy, vanessa redgrave, william shakespeare with 0 comments »Ralph Fiennes makes his directorial debut with “Coriolanus” which is based on William Shakespeare’s tragedy of the same name. He also stars as Caius Martius, a Roman general who is both revered and feared, and at odds with his fellow citizens. Fiennes certainly picked a most challenging project for his first film as director, but having done many Shakespeare plays onstage, he has a mastery of the bard’s infinitely passionate dialogue.
The action has been moved to present day where parallels to Occupy Wall Street and the wars in Iraq and Afghanistan can be seen. Caius has more than proven himself in combat, but the townspeople despise him for taking their food away. When he is pushed by his mother Volumnia (Vanessa Redgrave) to seek the powerful position of Consul, fellow politicians scheme against him and get the town to expel him for good. This forces Caius to join forces with his blood enemy Tullus Aufidius (Gerard Butler) in battling the Romans and seeking vengeance against those who betrayed his trust.
“Coriolanus” is one of those Shakespeare plays you could do an entire thesis on as it covers many thematic elements. Be it the power of the people, the corruption of politics, the selfish desires of others, or looking at what war does to some, you could spend hours discussing all that goes on here.
Fiennes gives a powerful performance as Caius, and certain scenes will enthrall the audience to where you can hear a pin drop in the movie theatre. While the townspeople’s anger at him is justified, Fiennes makes Caius seem like a war veteran who has done his patriotic duty only to be spat upon by the people he has defended. This is not some power hungry villain at play here but a man who feels he deserves more respect than he has been given. His flaw however is that he is incapable of respecting those he has spent time defending.
As a director, Fiennes employs the same kind of shaky camerawork Kathryn Bigelow used to great effect in “The Hurt Locker” (which he made a cameo in). The bullets fly all over the place, and they sound like steel swords clashing with rage. He also gets the actors to speak the Shakespearean language in a natural tone while giving those with bigger parts a chance to show off their amazing theatricality. The tone is a bit jarring at first, but everything comes together as the movie goes on.
Fiennes is also backed up immeasurably by an impeccable cast. Gerard Butler easily gives his best performance since “300” as Tullus whose anger at Caius equals his passion for his people. Jessica Chastain, who has appeared in every other 2011 movie, is a strong presence as Caius’ wife Virgilia. But the movie’s best performance comes from Redgrave who is a powerhouse as Caius’ mother. She captures her character’s controlling and manipulative nature to where she doesn’t just bring her son to his knees but the audience’s as well.
“Coriolanus” does meander a bit and threatens to bite off more than it can chew, but it is a powerful experience nonetheless. Kudos to Fiennes who picked quite the project to mark his directorial debut with as any lesser director would have easily failed in adapting such complex material. Some would have started with something easier, but not the man who played Lord Voldemort!
* * * ½ out of * * * *
"The Hurt Locker" Review - Written by Anthony T
9:44 PM | ralph fiennes, Reviews, The Hurt Locker with 2 comments »The Hurt Locker
Year: 2009
Director: Kathryn Bigelow
Studio: Summit Entertainment
Stars: Jeremy Renner, Anthony Mackie, Brian Geraghty
MPAA Rating: R
Running Time: 130 Mins.
There’ve been many great war films that I’ve seen my lifetime. They include “Letters From Iwo Jima”, “Three Kings”, “Saving Private Ryan”, Apocalypse Now”. But none of them had made such an impact emotionally, like this film that I’m about to review.
“The Hurt Locker” is latest film from Kathryn Bigelow, who has directed films such as “Strange Days”, “Point Break”, and “Near Dark”. Her latest film focuses on three members, of an Army elite Explosive Ordinance Disposal (EOD) squad unit in Iraq.
The film is about a new staff sergeant (Jeremy Renner) who takes over a bomb disposal team after the previous one was killed in the line of duty. He takes over the team that has a sergeant (Anthony Mackie) that follows the rules, by the book and a specialist (Brian Geraghty) who is insecure and worried that a mistake could kill an innocent person or another of his fellow colleagues. They have thirty-nine days left in their deployment. They don’t get along at first because of the sergeant has a reckless style, but the three will soon have depend on each other. They will struggle through internal and personal issues, as the streets of Iraq are filled with bombers. These experiences will change their lives forever, as the soldiers try to survive the remaining days they have left before they are deployed back home. The film also features appearances from Guy Pearce (L.A Confidential, Memento), Ralph Fiennes (“The Reader”, “The English Patient”), and David Morse (“The Green Mile”, “Disturbia”).
After watching “The Hurt Locker”, I came out theater thinking that this is truly one of most realistic war films ever made. Everything was just perfect, from the acting to the filming of battle scenes. This is truly, the best film set in Iraq, since “Three Kings” back in 1999.
Let’s start with the film’s direction. This film has great direction from Kathryn Bigelow, who should be nominated at Oscar time. She does everything well here. First, the war scenes were very impactful. Everytime that you had a scene, where there was a firefight or dismantle of a bomb, the scenes felt intense and very engaging. Bigelow also does a very good job making the audience invested in the three main characters. She does that, by letting the characters stand out for who they are, as this felt like a documentary at times. The reason for that, Bigelow doesn’t use a lot of music. By not doing that, it gives the film it’s realistic tone. I also liked how she used the cameos from Guy Pierce, Ralph Fiennes and David Morse. She makes them pretty much unrecognizable, plus their presence doesn’t take away from the film’s tone or story.
Bigelow’s direction of her three main actors, Jeremy Renner, Anthony Mackie and Brain Geraghty was very good. They were directed in a way that everything felt real to the point that you felt like you were watching a documentary. It added to the realistic atmosphere that makes this film, so powerful.
The film, also has a brilliant screenplay from writer Mark Boal. He does a great job creating a story that’s realistic that it generates an emotional response, once you leave the theater. One of the reasons, Boal creates characters that come off as realistic. During the course of the film, he gives his characters emotion. Boal focuses on it throughout, as each of the characters are put through realistic situations that would scar a person mentally forever. It leads to some good drama and makes this film have an everlasting impact. Another thing that this screenplay does very well is not become too preachy with it's message. Boal manages to do this, by not turning this film into an anti-war film that is there to attack someone. Instead, he makes this story about the trials and tribulations that these soldiers go through on a daily basis. Boal highlight the mental scars, the firefights, and the troubles that these solders face on a daily basis on the battlefield and at home. By doing this, it makes everything come off as realistic. This is truly the first great screenplay of 2009 and it’s also Oscar worthy.
I know that “The Hurt Locker” is in limited release now, but I urge you to find this film in your local arthouse theater. This is one of those films that you will be hearing about, when the Oscars come rolling around. “The Hurt Locker” is a gripping war film that has a lot of emotion and will leave an impact, long after the film has ended.
Review Rating: Five Stars.
"The Reader" review by Ben Kenber
1:10 AM | kate winslet, ralph fiennes, Reviews, stephen daldry with 1 comments »This movie has been getting a lot of mixed reviews right now, and I really can’t understand why. I was expecting a good movie with great performances when I went in to see “The Reader” today, but I ended up getting a lot more than I realized. My father was with me when I saw the movie, and he confirmed that it was astonishingly faithful to the book it was based on. Indeed, the movie is an emotionally devastating journey through the beginning of an affair between a young student and an older woman and the aftermath that the affair lays on both of them. Every single performance in this movie is extraordinary, none the least of which is the one given by Kate Winslet. If she does indeed get nominated for her performance in this and/or “Revolutionary Road,” she will certainly deserve her Oscar this time around.
Kate plays Hanna Schmitz who works as a ticket taker for the local trains going in and out of the town, and she encounters young Michael Berg (David Kross plays him as a teenager) who is sick and depressed. She takes care of him and even walks him home. Michael later returns to where she lives to thank her for what she did, and from there the two fall into a secret affair which involves both love making and reading. Hanna asks Michael to read to her before they have sex, and he does so with tremendous enthusiasm to say the least. This deepens their relationship even while it remains a secret between the two of them, and it lasts for several months.
Then suddenly, Hanna vanishes from Michael’s life leaving him confused and heartbroken, and he moves on to law school. But during the course of a trial in which Michael and several law students have been invited to, he reencounters Hanna as she is one of the defendants on trial for crimes against humanity. It turns out that she was an SS guard during the Holocaust, and worked in camps such as Auschwitz where many Jews were cruelly put to death. This creates an immense conflict for Michael in that he may be able to help her, but to do so would reveal their affair and implicate him in a situation that he will never be able to escape from ever. While their affair only lasted for a summer, the effects of that relationship end up lasting a lifetime for both characters.
The movie moves back and forth in time as we see what Michael Berg goes through as a young person, and then we see him as the adult he has become and what the impact of that affair has done to his personality. As an adult, he is portrayed by Voldemort himself, Ralph Fiennes, and he shows how Michael has become closed off in many ways and is not as open with people as he should. Everything he does comes back to the affair he had with Hanna so many years ago. The moving back and forth in time could have been horrendously irritating, but director Stephen Daldry does it so seamlessly that it never ever seems like an unnecessary gimmick.
Part of the movie’s success in affecting you may depend on how much of yourself you see in the character of Michael Berg. Many of us would not like to remember ourselves as a weak person, but something deep in our subconscious would have certainly entertained the idea of having an affair with an older woman, let alone Kate Winslet. As a teenager, your hormones are jumping up and down on an ever expanding trampoline in the realm of puberty, so thinking about something other than girls will be a bit challenging. All the same, common sense might kick in somewhere and that just might stop us from being involved in that kind of relationship.
In many ways, “The Reader” is in effect an argument against that kind of a relationship as we see that this one elicits even more heartache, confusion, and of emotional scars that can last throughout a whole lifetime. They say the first love is always the hardest because of the eventual break up which can hurt like a son of a bitch. Clearly, there are not many break ups or separations that can hurt as much as the one experienced by Michael and Hanna.
2008 may be remembered as the year of Batman, the late Heath Ledger, Robert Downey Jr., and of many other things. I do hope that it is also known as the year of Kate Winslet. On top of “The Reader,” she also has “Revolutionary Road” coming up which is directed by her husband Sam Mendes. She needn’t have been nominated for an Oscar 5 times already to convince us of what a superb actress she is. She manages to do many things that I cannot see another actress doing as effectively, and she superbly handles the aging of her character without overdoing it or falling into some caricature of an elderly person that we may have some preconception of. She immerses herself into this role ever so fearlessly, and she gives us one of the most compelling and emotionally devastating performances of this past year.
She also does something which at first would seem unthinkable and horrifying; she gives a human face to the SS officers who were later prosecuted for their role in the murder of millions of Jews during the Holocaust. From a distance, we would simply distance ourselves from these people because of the horrible things they have done. Winslet wisely does not make us sympathize with what her character has done, but she makes us see the pain of her character throughout the trial as she is caught up in a situation that she does not entirely understand. This later leads to a revelation about Hanna which I will not reveal here as it will simply destroy the mystery of her character for the audience this movie deserves. But this secret is something that Hanna feels much more ashamed of than her role in the murder of so many Jews.
It also brings up an interesting point worth dwelling on. These officers are being prosecuted for their role in an atrocity of the worst kind, and probably rightly so. I say probably because in the end, these are just soldiers who were ordered to do their jobs by a genocidal maniac named Adolf Hitler. As history shows, the hierarchy of an evil or highly immoral regime seems to get off somewhat easier than the soldiers whom, whether we agree with their actions or not, were simply doing the job they were commanded to do. For them to simply not do their duties would have probably led to their deaths by a simple bullet in the head. Obviously, the atrocity of the Holocaust brought on a strong need for revenge in its aftermath, and prosecutors went after perhaps the only ones who could easily be prosecuted (Hitler killed himself before he could ever be captured). While I watched the movie, my dad leaned over to me and said:
“Just remember this when they prosecute those soldiers from Abu Ghraib and not Donald Rumsfeld.”
As much as this may seem (from a distance anyway) like the Kate Winslet show, there are many other performances to admire in “The Reader” other than hers. The one performance that might come across as the most underrated in the wake of the praise she deserves is the one given by David Kross as the young Michael Berg. Throughout all the scenes he has with Kate, he more than holds his own with her as he conveys the hell of an emotional turmoil that he is forever going through both as a teenager, and later as an adult. In retrospect, David really has the hardest role in the entire movie as he has to convey many things about his character without saying a word. We know why Michael is going through so many conflicting emotions, but the characters around him don’t know that. On top of that, they cannot know as that would implicate Michael in a situation that he will not ever be able to escape from. I have not heard of David Kross before, and I am interested to see how he got the role in the movie. His performance is nothing short of astonishing.
And of course, we have the always great Ralph Fiennes as the adult Michael Berg, and he conveys how the character has never fully moved on from the affair he had so many years ago. Ralph portrays him as a man who knows that he is more emotionally distant from people than he should, and he is aided by David’s performance in that we see why this is the case. Throughout his performance, he shows how the affections he has for Hanna have never stopped, and yet they still cannot be revealed for what they will show. The everlasting effects that this affair has had on David have informed the person that he has become, and Fiennes brings us to the adult Michael as he tries to reconcile those feelings to Hanna the only way he can, by reading to her.
Lena Olin also has a terrific cameo as a Holocaust survivor who testified against Hanna and many others for their role in World War II. She shows us in only a few minutes what it really means to be a survivor of such a horrific event in history, and of how one needs to move on past it in a way that may seem cold yet very understandable.
Director Stephen Daldry had previously directed the film adaptation of “The Hours” with Nicole Kidman, Meryl Streep, and Julianne Moore. With that and “The Reader,” he seems to be working with a recurring theme of women caught up in a world they want to escape from. Even if that escape lasts only a brief moment, they are caught up in a world not necessarily of their own making, and it threatens to kill their very soul completely. Daldry certainly isn’t afraid to venture into emotionally charged material, or of material that many will simply view as depressing. Both of the movies mentioned are a journey into doomed relationships and of the damage inflicted through them.
Having said all this, I’m still surprised that this movie has elicited some negative reviews. In a sense, I can see why some see this movie as going on for far too long as it covers the affair from its sensuous beginnings to its tragic end, but to see this relationship all the way to its inevitable conclusion is important as it informs us of how strong the connection was between these two even when they were not in close proximity to one another. It is a brilliantly conceived movie by Stephen Daldry which is aided by a fantastic script by David Hare. To cut the movie off at a certain point would have certainly had a negative effect on how the audience viewed their relationship. This is a relationship that needed to be seen all the way to the end, for its main character of Michael Berg still has a story he needs to get off of his chest.
Like in “Doubt,” “The Reader” does not lay any sort of judgment on its characters and invites its audience to do that themselves. There are no easy answers to be found here, and many questions may remain with you after you have seen this movie, which is precisely the point. It forces you to put yourself in the shoes of Michael Berg and to ask what you would have done if you were him. You may not like the answers you come up with, but the questions are very important nevertheless.
“The Reader” is pretty certain at this point to have a place on my list of the best movies of 2008, and not just for the brilliant performance given by Kate Winslet. At the same time, there should now be no doubt that she is one of the very best actresses working in film today.
In closing, Sam Mendes is a very lucky man, dammit.
**** out of ****