This is a documentary that I've been looking forward to seeing. Anchor Bay Entertainment and The Weinstein Company has recently send us over information about their upcoming DVD and Blu-Ray release of the Oscar®-winning football documentary "Undefeated" The film won the Best Documentary Oscar® at last year's Academy Awards.

Specail Features on the DVD and Blu-Ray include an Audio Commentary with directors Dan Lindsay and TJ Martin; Deleted Scenes; a Black and White Teaser Trailer; and a “The Making of Undefeated” featurette.

"Undefeated" hits store shelves on Feburary 19th.

For more information on this film, you can visit the film's official website at: www.undefeatedmovie.com

Press Release:

Anchor Bay Entertainment and The Weinstein Company announced today the Blu-ray™ and DVD release of the uplifting Oscar®-winning football documentary, UNDEFEATED, a directorial collaboration from filmmakers Dan Lindsay (Why Us?) and TJ Martin (A Day of Hype in America). A true story about courage and character, UNDEFEATED follows the Manassas Tigers – a severely underfunded and underprivileged high school football team – as they endeavor to reverse their fortunes with the help of a volunteer coach, Bill Courtney. Heading to retail on February 19, 2013 for an SRP of $24.99 for the Blu-ray™ and $19.98 for the DVD, UNDEFEATED is a one-of-a-kind sports movie that will thrill and inspire – a moving affirmation of all that is best in us and all that is possible.


UNDEFEATED is “Irresistible,” said New York Times film critic, Manohla Dargis. Wrote Marshall Fine in his STAR Magazine review, “This is a sports movie with heart! You’ll be cheering until the end.” Added Entertainment Weekly’s Owen Gleiberman, “Suffice it to say that the agony of defeat in this movie is every bit as transporting as the thrill of victory.”


No hope. No future… Until a football season united a team and revealed the character that turned them into heroes. UNDEFEATED, an Academy Award®-winning documentary (2011 Best Documentary Feature – Dan Lindsay, TJ Martin and Rich Middlemas), is the inspiring and moving tale of three underprivileged student-athletes from inner-city Memphis and their volunteer coach, Bill Courtney, trying to help them beat the odds on and off the field.


The UNDEFEATED Blu-ray™ and DVD special features include an Audio Commentary with directors Dan Lindsay and TJ Martin; Deleted Scenes; a Black and White Teaser Trailer; and a “The Making of Undefeated” featurette. Note: Special features are subject to change.


Learn more about UNDEFEATED at: www.undefeatedmovie.com

Okay, let’s get it out of the way right now; the 83^rd Annual Academy Awards were dull, dull, DULL. I was hoping they would be better than last year which, despite the presence of Steve Martin and Alec Baldwin, seemed like a boring affair. But this year’s proved to be even worse. Even David Letterman did a better job than this. In an attempt to reach a younger demographic, they gave us the youngest hosts ever and actually succeeded in keeping the proceedings shorter than usual for a change. But instead they cut out the heart of what was so memorable about the Oscars in the first place. While the producers can’t be faulted for this year’s winners being the most predictable bunch ever, it doesn’t excuse them for the lifeless affair this all turned out to be.

James Franco and Anne Hathaway are wonderful actors, and they will be able to live this down in the long run. It doesn’t change the fact that they flopped as hosts though. We knew they were in trouble when their opening montage only elicited minor chuckles at best. Having anyone other than Billy Crystal do this is just not going to work. It’s a shame to say that because both are wonderfully energetic entertainers who we want to see succeed. Franco was even more of a disappointment in that he looked uncomfortable, and many of his jokes fell flat. This is the same guy who had us in stitches in “Pineapple Express,” and yet he and Hathaway looked like they were neutered far too much in what they could have pulled off.

It also did not help them that many previous Oscar hosts were around that evening. Seeing Alec Baldwin sucking down a juice pack of Ambien, Hugh Jackman relaxing in the audience, or Billy Crystal finally coming back to the Oscar stage for a standing ovation only reminded us what the show was missing; a wonderful comic personality who could keep us interested even when the show dragged. Seriously, after awhile I forgot that Hathaway and Franco were even hosting the Oscars! It didn’t matter how many times Anne changed clothes throughout the show either.

Now the producers succeeded in making this one of the shortest Academy Award telecasts ever, but at what price? I am sick of all the lifetime achievement Oscars being handed out at a separate event. When these people get rewarded for a career of greatness, it makes for some of the most memorably heartfelt moments in Oscar history. To see them reduced to mere footnotes, and that’s even if they do show up at the ceremony, is insulting.

Were there any memorable moments were from this year’s Oscars? Well, I did enjoy Kirk Douglas’ goofing around before he finally read the winner of the Best Supporting Actress Oscar. In fact, he did a favor to all the nominees in breaking the tension they were experiencing. Also, seeing Melissa Leo get it was my highlight of the evening, and that’s even with her making Oscar history by saying the F-word. Those censors who were looking out for Mickey Rourke were he to win for “The Wrestler” finally got the workout they were looking for. And although I wanted to see David Fincher get Best Director, Tom Hooper’s speech was very nice and genuine, especially when he spoke of his mother.

But when all is said and done, the 2011 Academy Awards were truly a major flop. Just when I thought they could not get any worse, they did. You know what? Let the show run hours and hours. Heck let it run into Monday! Don’t even cut down the original song nominees performances because they serve as the bathroom break many of us need. Bring back the lifetime achievement awards, bring back the Irving Thalberg Award for the worldwide audience, and bring back Billy Crystal. If Billy won’t come back, put a horse’s head in his bed. If that doesn’t work, get Hugh Jackman or Steve Martin or even Alec Baldwin.

Critics are always going to be complaining about the Academy Awards regardless of if they are too long or too short. Hollywood might as well live it up for hours because then there will stuff to remember for a change. Anyone who has a problem with that can change the channel or watch something else altogether. But one thing’s for certain, the show can do so much better than this major disappointment.

4:16 PM PT

The Academy Awards are finally here, so as you can imagine, all of Los Angeles is pretty much shut down. I’ve lived in Los Angeles now for over a decade, and the city comes to a halt when the Oscars are about to be handed out. There’s almost no point in going anywhere because most of the roads in the city are closed off. The city is not as glamorous as people make it out to be, but tonight is a major exception obviously. The stars have already started to arrive and are being interviewed, and it’s the typical interview of celebrities describing the maker of their clothes and of how nervous they are. Why be nervous? They’re only about to go in front of a billion people!

My hopes for this year’s show? I hope it’s far more entertaining than last year’s effort. Despite the presence of Steve Martin and Alec Baldwin, there wasn’t much to remember about it. This year, we have James Franco and Anne Hathaway hosting, and they are the youngest hosts this show has seen in ages. Both are also wonderful actors in their own right with Franco nominated this year for “127 Hours.” I hope he wins, but it seems a foregone conclusion that Colin Firth will take it home.

4:30 PM

With these interviews with the stars, I keep waiting for that moment that Jack Black had when he was being interviewed and the interviewer looked off in the distance and Jack said:

“Is someone more important coming along?”

I had been waiting years for someone to say that!

These interviews were typically short and more about what they were wearing or “who” they were wearing. They always come across as awkward because the smiles seem forced, and you get the inescapable impression that the celebrities would rather be somewhere else.

5:00 PM

So now have the countdown clock ticking backwards to the start of the show. I have to tell you, seeing these clocks make time go SLOWER for me. I know the Oscars are coming up. You don’t need to remind me because I don’t watch TV all that much!

5:08 PM

Ben Mankiewicz said the obvious that Colin Firth will get the Best Actor Oscar for “The King’s Speech.” He described his chances in saying to think of Colin as the Green Bay Packers going against a high school football team, and not a very good one at that. Brilliant!

5: 13 PM

Nicole Kidman, nominated for Best Actress for “Rabbit Hole,” said that it is an honor to be nominated. While it may be easy for her to say that, I actually believe she is genuine in saying that. Sometimes that is the best way to look at things. I have not seen “Rabbit Hole” yet which didn’t get much of a release, but I look forward to seeing it soon.

5:44 PM

Art Direction is the first Oscar to be presented. Tom Hanks gives it to “Alice In Wonderland,” a movie that was not as good as it wanted to be. James Franco and Anne Hathaway have a nice start, and I liked how they joked about fitting the right demographics that the Academy Awards is looking to get this year.

5:47 PM

Wally Pfister gets Best Cinematography for “Inception” (YES!!!). He was looking to the clock which gives him how much time he has left. So far, the Oscars are off to a quick start. The producers really are serious about keeping the ceremony shorter than usual.

5:51 PM

Kirk Douglas gets the evening’s first standing ovation. Says Franco looks better out of the cave, and says Hathaway is gorgeous and wonders where she was he was making movies. He is presenting the Best Supporting Actress award.

Melissa Leo gets Best Supporting Actress! YES!!!!! She ended up saying the F-word on national television. You know what? Good for her! Seeing her win was awesome because it means her own ads didn’t affect her odds. Also, it was clearly based on her performance which was awesome. I’m really happy for Melissa who has had and still will have an amazing career.

I love how Kirk Douglas stalled on announcing the winner for Best Supporting Actress. Most other actors would NOT get away with that, but he did and for good reason. To see Kirk living and kicking after all these years is great.

6:06 PM

“Toy Story 3” gets the Best Animated Feature Oscar, and they continue to dominate this Oscar category for very good reasons. Its director thanked the audience for embracing a movie about “talking toys” which truly had something important to say.

“Toy Story 3” was one of my favorite movies of the year.

6:14 PM

Aaron Sorkin wins Best Adapted Screenplay for “The Social Network.” But did the music really have to play as he was finishing his speech? Way to go!

6:18 PM

“The King’s Speech” gets its first Oscar of the evening for Best Original Screenplay. Its writer David Seidler said that his father called him a late bloomer, and that he hopes that his record as the oldest Oscar winner in this category will be broken over and over.

So right now, it looks like the Oscar race between “The King’s Speech” and “The Social Network” is pretty tight.

6:25 PM

It’s not often you see a former host of the Oscars sitting in the audience and being addressed by the host of this year’s Oscars. Hugh Jackman is and most likely always be a great sport as Anne Hathaway proved she has an amazing set of vocal pipes!

6:32 PM

Christian Bale wins Best Supporting Actor for “The Fighter.” It looked to be a tight race between him and Geoffrey Rush, but in the end, it always looked like this particular award was destined to be his.

6:45 PM

Trent Reznor and Atticus Ross take away the Oscar for Best Original Score for “The Social Network.” I’m thrilled to see the head of Nine Inch Nails now being known as an Oscar winner.

6:47 PM

“Inception” gets its second Oscar of the evening for Best Sound Mixing. Maybe it will do better tonight than many would expect it.

6:49 PM

It’s another one for “Inception” as it gets Best Sound Effects Editing. To see it as the one as the one with the most Oscar wins this evening so far feels really cool.

6:56 PM

“The Wolfman” gets the Oscar for Best Makeup. Seeing Cate Blanchett say that their work is gross “is a highlight.”

6:58 PM

Colleen Atwood gets Best Costume Design for “Alice In Wonderland.” A couple of stagehands were seen going being the stage as she did her speech.

7:20 PM

Oprah Winfrey presents the Oscar for Best Documentary Feature. The Oscar goes to don my Netflix queue. One of the winners pointed out that not one of the Wall Street executives are behind bars and how wrong that is.

7:27 PM

Anne Hathaway introduces Billy Crystal, not at all expected. He called Bob Hope what an Oscar host should be, a “sexy movie star.” Seeing him at the Oscars again is really nice, and hopefully we will see him there again. Even after all these years, so many wonder before the Oscar host(s) are announced if Billy will be back. Give in to it Billy!!! I hate to see you wake up in the morning with a horse’s head in your head.

7:33 PM

It’s another one for “Inception” as it wins Best Visual Effects! Could it possibly upset “The King’s Speech” and “The Social Network” for Best Picture? I can dream, can’t I? “Inception” is my pick for Best Picture mainly because my favorite movie of the year (“Scott Pilgrim vs. The World”) was NOT nominated.

7:35 PM

“The Social Network” wins Best Film Editing. Things are looking better for this film in an awards ceremony where “The King’s Speech” is expected to reign supreme.

7:45 PM

The last two nominees for Best Original Song perform. The Oscar goes to Randy Newman for “We Belong Together” for the great movie “Toy Story 3.”

7:51 PM

Celine Dion sings over the In Memorium section of the Oscars. Usually you measure the applause between those you got the most, but this year that was not the case, Halle Berry comes out to praise the late Lena Horne, so she is the only one from this past year who deserves more applause than anyone else.

8:03 PM

Tom Hooper gets Best Director for “The King’s Speech.” While I wanted to see David Fincher get it for “The Social Network,” Tom did get the DGA award for good reason. Tom ends his speech by saying:

“Listen to your mother.”

8:07 PM

The Academy looks back at the Governors Awards. Kevin Brownlow, Francis Ford Coppola, and Eli Wallach get their due in front of a billion people. Still, it would have been nice to see them accept their awards during the actual ceremony.

8:14 PM

Jeff Bridges takes his precious time introducing each of the nominees for Best Actress. Natalie Portman wins the Oscar in this category.

So I guess there’s not going to be anymore of those emotional tributes to each nominee. It’s back to the clips and close ups of the actors. What a shame, that made it seem like there were absolutely no losers. My reaction to that was censored by ABC just in time.

8:25 PM

Colin Firth wins Best Actor for “The King’s Speech” just as we all expected him to. It seems like whenever someone playing a member of the Royal Family, they are destined to win no matter what. Perhaps there have been exceptions to this.

8:36 PM

“The King’s Speech” wins Best Picture of the year. This is somewhat of a deflating moment for me. Don’t get me wrong, it was far and away one of the best movies of 2010, but Best Picture?

“Inception,” “The Social Network,” “Winter’s Bone,” and “Toy Story 3” were far more deserving. How did this particular one manage to trump them all?

8:39 PM

The P.S. 22 kids end the ceremony with their wonderful singing. Not sure why the producers ended the show with this, but nice all the same.

So, another Oscar ceremony comes to an end. All I can hear now is the collective sigh from all the nominees that the awards season finally comes to an end. They must be so sick of hearing about themselves.

I know I didn’t include all the winners in this article, but I guess it shows which moments of the show were more absorbing than others.

Best motion picture of the year:

Black Swan (Fox Searchlight) A Protozoa and Phoenix Pictures Production
Mike Medavoy, Brian Oliver and Scott Franklin, Producers

The Fighter (Paramount) A Relativity Media Production
David Hoberman, Todd Lieberman and Mark Wahlberg, Producers

Inception (Warner Bros.) A Warner Bros. UK Services Production
Emma Thomas and Christopher Nolan, Producers)

The Kids Are All Right (Focus Features) An Antidote Films, Mandalay Vision and Gilbert Films Production
Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers

The King's Speech (The Weinstein Company) A See-Saw Films and Bedlam Production
Iain Canning, Emile Sherman and Gareth Unwin, Producers

127 Hours (Fox Searchlight) An Hours Production
Christian Colson, Danny Boyle and John Smithson, Producers

The Social Network (Sony Pictures Releasing) A Columbia Pictures Production
Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers

Toy Story 3 (Walt Disney) A Pixar Production
Darla K. Anderson, Producer

True Grit (Paramount) A Paramount Pictures Production
Scott Rudin, Ethan Coen and Joel Coen, Producers

Winter's Bone (Roadside Attractions) A Winter's Bone Production
Anne Rosellini and Alix Madigan-Yorkin, Producers

Best Performance by an actor in a leading role:

Javier Bardem in "Biutiful" (Roadside Attractions)

Jeff Bridges in "True Grit" (Paramount)

Jesse Eisenberg in "The Social Network" (Sony Pictures Releasing)

Colin Firth in "The King's Speech" (The Weinstein Company)

James Franco in "127 Hours" (Fox Searchlight)

Best Performance by an actor in a supporting role:

Christian Bale in "The Fighter" (Paramount)

John Hawkes in "Winter's Bone" (Roadside Attractions)

Jeremy Renner in "The Town" (Warner Bros.)

Mark Ruffalo in "The Kids Are All Right" (Focus Features)

Geoffrey Rush in "The King's Speech" (The Weinstein Company)

Best Performance by an actress in a leading role:

Annette Bening in "The Kids Are All Right" (Focus Features)

Nicole Kidman in "Rabbit Hole" (Lionsgate)

Jennifer Lawrence in "Winter's Bone" (Roadside Attractions)

Natalie Portman in "Black Swan" (Fox Searchlight)

Michelle Williams in "Blue Valentine" (The Weinstein Company)

Best Performance by an actress in a supporting role:

Amy Adams in "The Fighter" (Paramount)

Helena Bonham Carter in "The King's Speech" (The Weinstein Company)

Melissa Leo in "The Fighter" (Paramount)

Hailee Steinfeld in "True Grit" (Paramount)

Jacki Weaver in "Animal Kingdom" (Sony Pictures Classics)

Best animated feature film of the year:

How to Train Your Dragon (Paramount) Chris Sanders and Dean DeBlois

The Illusionist (Sony Pictures Classics) Sylvain Chomet

Toy Story 3 (Walt Disney) Lee Unkrich

Best Art Direction:

Alice in Wonderland (Walt Disney), Robert Stromberg (Production Design), Karen O'Hara (Set Decoration)

Harry Potter and the Deathly Hallows Part 1 (Warner Bros.), Stuart Craig (Production Design), Stephenie McMillan (Set Decoration)

Inception (Warner Bros.), Guy Hendrix Dyas (Production Design), Larry Dias and Doug Mowat (Set Decoration)

The King's Speech (Paramount), Eve Stewart (Production Design), Judy Farr (Set Decoration)

True Grit (Paramount), Jess Gonchor (Production Design), Nancy Haigh (Set Decoration)

Best Achievement in Cinematography:

Black Swan (Fox Searchlight) Matthew Libatique

Inception (Warner Bros.) Wally Pfister

The King's Speech (The Weinstein Company) Danny Cohen

The Social Network (Sony Pictures Releasing) Jeff Cronenweth

True Grit (Paramount) Roger Deakins

Achievement in costume design:

Alice in Wonderland (Walt Disney) Colleen Atwood

I Am Love (Magnolia Pictures) Antonella Cannarozzi

The King's Speech (The Weinstein Company) Jenny Beavan

The Tempest (Miramax) Sandy Powell

True Grit (Paramount) Mary Zophres

Achievement in directing:

Black Swan (Fox Searchlight), Darren Aronofsky

The Fighter (Paramount), David O. Russell

The King's Speech (The Weinstein Company), Tom Hooper

The Social Network (Sony Pictures Releasing), David Fincher

True Grit (Paramount), Joel Coen and Ethan Coen

Best Documentary Feature:

Exit through the Gift Shop (Producers Distribution Agency) Banksy and Jaimie D'Cruz A Paranoid Pictures Production

Gasland Josh Fox and Trish Adlesic A Gasland Production

Inside Job (Sony Pictures Classics) Charles Ferguson and Audrey Marrs A
Representational Pictures Production

Restrepo (National Geographic Entertainment) Tim Hetherington and Sebastian Junger An Outpost Films Production

Waste Land Lucy Walker and Angus Aynsley (Arthouse Films) An Almega Projects Production

Best documentary short subject:

Killing in the Name Nominees to be determined A Moxie Firecracker Films Production

Poster Girl Nominees to be determined A Portrayal Films Production

Strangers No More Karen Goodman and Kirk Simon A Simon & Goodman Picture Company Production

Sun Come Up Jennifer Redfearn and Tim Metzger A Sun Come Up Production

The Warriors of Qiugang Ruby Yang and Thomas Lennon A Thomas Lennon Films Production


Achievement in film editing:

Black Swan (Fox Searchlight) Andrew Weisblum

The Fighter Paramount Pamela Martin

The King's Speech (The Weinstein Company) Tariq Anwar

127 Hours (Fox Searchlight) Jon Harris

The Social Network (Sony Pictures Releasing) Angus Wall and Kirk Baxter

Best foreign language film of the year:

Biutiful Mexico

Dogtooth Greece

In a Better World Denmark

Incendies Canada

Outside the Law (Hors-la-loi) Algeria

Achievement in makeup:

Barney's Version (Sony Pictures Classics) Adrien Morot

The Way Back (Newmarket Films in association with Wrekin Hill Entertainment and Image
Entertainment) Edouard F. Henriques, Gregory Funk and Yolanda Toussieng

The Wolfman (Universal) Rick Baker and Dave Elsey

Achievement in music written for motion pictures (Original score):

How to Train Your Dragon (Paramount) John Powell

Inception (Warner Bros.) Hans Zimmer

The King's Speech (The Weinstein Company) Alexandre Desplat

127 Hours (Fox Searchlight) A.R. Rahman

The Social Network (Sony Pictures Releasing) Trent Reznor and Atticus Ross

Achievement in music written for motion pictures (Original song):

Coming Home from Country Strong (Sony Pictures Releasing (Screen Gems)) Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey

I See the Light from Tangled (Walt Disney) Music by Alan Menken Lyric by Glenn Slater

If I Rise from 127 Hours (Fox Searchlight) Music by A.R. Rahman Lyric by Dido and Rollo Armstrong

We Belong Together from Toy Story 3 (Walt Disney) Music and Lyric by Randy Newman

Best animated short film:

Day & Night (Walt Disney) A Pixar Animation Studios Production Teddy Newton

The Gruffalo A Magic Light Pictures Production Jakob Schuh and Max Lang

Let's Pollute A Geefwee Boedoe Production Geefwee Boedoe

The Lost Thing (Nick Batzias for Madman Entertainment) A Passion Pictures Australia
Production Shaun Tan and Andrew Ruhemann

Madagascar, carnet de voyage (Madagascar, a Journey Diary) A Sacrebleu Production Bastien Dubois

Best live action short film:

The Confession (National Film and Television School) A National Film and Television School Production Tanel Toom

The Crush (Network Ireland Television) A Purdy Pictures Production Michael Creagh

God of Love A Luke Matheny Production Luke Matheny

Na Wewe (Premium Films) A CUT! Production Ivan Goldschmidt

Wish 143 A Swing and Shift Films/Union Pictures Production Ian Barnes and Samantha Waite

Achievement in sound editing:

Inception (Warner Bros.) Richard King

Toy Story 3 (Walt Disney) Tom Myers and Michael Silvers

Tron: Legacy (Walt Disney) Gwendolyn Yates Whittle and Addison Teague

True Grit (Paramount) Skip Lievsay and Craig Berkey

Unstoppable (20th Century Fox) Mark P. Stoeckinger

Achievement in sound mixing:

Inception (Warner Bros.) Lora Hirschberg, Gary A. Rizzo and Ed Novick

The King's Speech (The Weinstein Company) Paul Hamblin, Martin Jensen and John Midgley

Salt (Sony Pictures Releasing) Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin

The Social Network (Sony Pictures Releasing) Ren Klyce, David Parker, Michael Semanick and Mark Weingarten

True Grit (Paramount) Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland
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Achievement in visual effects:

Alice in Wonderland (Walt Disney) Ken Ralston, David Schaub, Carey Villegas and Sean Phillips

Harry Potter and the Deathly Hallows Part 1 (Warner Bros.) Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi

Hereafter (Warner Bros.) Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell

Inception (Warner Bros.) Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb

Iron Man 2 (Paramount and Marvel Entertainment, Distributed by Paramount) Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

Best Adapted screenplay:

127 Hours (Fox Searchlight), Screenplay by Danny Boyle & Simon Beaufoy

The Social Network (Sony Pictures Releasing), Screenplay by Aaron Sorkin

Toy Story 3 (Walt Disney), Screenplay by Michael Arndt. Story by John Lasseter,
Andrew Stanton and Lee Unkrich

True Grit (Paramount), Written for the screen by Joel Coen & Ethan Coen

Winter's Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini

Best Original screenplay:

Another Year (Sony Pictures Classics), Written by Mike Leigh

The Fighter (Paramount), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson. Story by Keith Dorrington & Paul Tamasy & Eric Johnson

Inception (Warner Bros.), Written by Christopher Nolan

The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg

The King's Speech (The Weinstein Company), Screenplay by David Seidler